The Exorcist ranks first among these horror movies, and The Shining ranks second. All five contenders were evaluated on the same published criteria, and their weighted scores determine the order from highest to lowest.
IMPORTANT CONTEXTThis is a subjective ranking. Availability, platforms, editions, catalogs, and prices can change; use the linked official page for current details.
01
WF
William Friedkin
The Exorcist
Best overall
The Exorcist, associated with William Friedkin, is one of the horror movies evaluated for this list. It is the strongest all-around choice in this group, with its clearest strengths in craft and impact. The craft assessment focuses on execution, originality, and command of the format.
The Shining, associated with Stanley Kubrick, is one of the horror movies evaluated for this list. It is the closest alternative to the top choice, with its clearest strengths in impact and craft. The impact assessment focuses on cultural influence and staying power. Accessibility is the main point to compare with the nearby contenders before choosing it.
Get Out, associated with Jordan Peele, is one of the horror movies evaluated for this list. It offers a balanced middle-ground choice, with its clearest strengths in impact and craft. The impact assessment focuses on cultural influence and staying power. Accessibility is the main point to compare with the nearby contenders before choosing it.
Alien, associated with Ridley Scott, is one of the horror movies evaluated for this list. It is a more specialized alternative, with its clearest strengths in accessibility and craft. The accessibility assessment focuses on ease of entry for a broad audience. Impact is the main point to compare with the nearby contenders before choosing it.
The Thing, associated with John Carpenter, is one of the horror movies evaluated for this list. It is the most situational option in this top five, with its clearest strengths in craft and replay value. The craft assessment focuses on execution, originality, and command of the format.
Three independent write-ins unlock an honorable mention. The 10 strongest active mentions are shown; inactive mentions archive after 12 months. At 25 monthly votes, a contender enters a scoring review for possible top-five promotion.
No honorable mentions yet. Repeated write-ins merge automatically.
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THE SCORING
HOW ALL FIVE SCORED
The five criteria create the AI baseline. The community adjustment is then added or subtracted to produce the current published score.
Keep the criteria fixedSwipe to compare all five →
Criterion
#1The Exorcist
#2The Shining
#3Get Out
#4Alien
#5The Thing
95
91
90
90
89
95
96
93
85
82
94
91
88
87
87
91
89
88
91
84
92
91
89
87
88
AI baseline scoreWeighted criteria result
93.9
92.0
90.0
88.0
86.0
Community adjustmentVote-share influence
0.0
0.0
0.0
0.0
0.0
Current published scoreBaseline + community
94
92
90
88
86
#1
The Exorcist
94/100
AI baseline93.9
Community0.0
Published94
#2
The Shining
92/100
AI baseline92.0
Community0.0
Published92
#3
Get Out
90/100
AI baseline90.0
Community0.0
Published90
#4
Alien
88/100
AI baseline88.0
Community0.0
Published88
#5
The Thing
86/100
AI baseline86.0
Community0.0
Published86
Craft · 30%Execution, originality, and command of the format.
HEAD TO HEAD
COMPARE THE TOP TWO
Select any two contenders above. We’ll line up what matters.
CONTENDER
WF
William Friedkin
The Exorcist
94
SK
Stanley Kubrick
The Shining
92
Director
William Friedkin
Stanley Kubrick
Ranking result
#1 · Highest weighted score
#2 · Second-highest weighted score
Signature strength
Craft
Impact
Also strong in
Impact
Craft
Compare closely
Accessibility
Accessibility
WF
William Friedkin
The Exorcist
94/100
SK
Stanley Kubrick
The Shining
92/100
Director
William Friedkin
Stanley Kubrick
Ranking result
#1 · Highest weighted score
#2 · Second-highest weighted score
Signature strength
Craft
Impact
Also strong in
Impact
Craft
Compare closely
Accessibility
Accessibility
WHY THIS ORDER?
THE RECEIPTS, NOT THE MYSTERY.
SummaRank compared recognized critical lists, awards history, audience staying power, accessibility, and influence on the form, using current material from American Film Institute, British Film Institute, Television Academy and the linked official or research references. Each contender was scored independently on the same five-part scorecard: Craft 30%, Impact 25%, Enjoyment 20%, Accessibility 15%, Replay value 10%. The weighted total determines the published order from highest to lowest; criterion strengths are not assigned by rank position, and verified community voting can make a limited, visible adjustment.